Sustainable cultural experiences: creative tourism practices in the Mexican Creative Cities by UNESCO
Palabras clave:
Creativity, intangible heritage, sustainability
Resumen
La sistematización de las prácticas de turismo creativo implementadas en el contexto del programa de Ciudades Creativas de México es el objetivo central de este escrito. Estas nueve ciudades, reconocidas por la UNESCO por su vitalidad cultural, ofrecen una intersección única de creatividad, patrimonio cultural y turismo, y las posiciona como una red catalizadora para el desarrollo sostenible en el panorama turístico contemporáneo. Así, se devela el concepto de turismo creativo como un medio para facilitar interacciones significativas entre los viajeros y la cultura local; se establece el telón de fondo de las Ciudades Creativas mexicanas, analizando el uso de su designación por la UNESCO con el fomento de las industrias creativas y la preservación de los activos culturales intangibles a través del turismo. Se profundiza en la oferta del turismo creativo, mostrando cómo los visitantes se involucran activamente con la esencia creativa de las ciudades y examina las narrativas construidas por y para los turistas, considerando el potencial de exotización o mercantilización de las culturas locales por extranjeros. Se discute la visión global de la influencia de las prácticas de turismo creativo en la transformación de las identidades culturales urbanas, así como una comprensión matizada de su impacto tanto en los turistas como en las comunidades anfitrionas. Finalmente, se concluye sobre la contribución del turismo creativo en la preservación o transformación del patrimonio cultural en las ciudades analizadas.
Citas
Al-Ababneh, M. (2020). Creative Cultural Tourism As a New Model of the Relationship between Cultural Heritage and Tourism. International Journal of Hospitality and Tourism Studies, 1(1), 39-44.
Al-Ababneh, M. (2020). The Concept of Creativity: Definitions and Theories. International Journal of Tourism & Hotel Business Management, 2 (1) 245-249.
Alberts, H. C. & Hazen, H. D. (2010). Maintaining authenticity and integrity at cultural world heritage sites. In Geographical Review, 1(100), 56-73.
Ali, F., Ryu, K. & Hussain, K.v (2016). Influence of experiences on memories, satisfaction and behavioral intentions: A study of creative tourism. Journal of Travel & Tourism Marketing, 33(1), 86-100.
Athanassiou, E. (2012). The mechanical reproduction of cultural heritage: shifting from touristic areas to public spaces. A: Conference of the International Forum on Urbanism. 6th Conference of the International Forum on Urbanism (IFoU): TOURBANISM, Barcelona, 25-27, p. 1-10.
Apostolakis, A. (2003). The convergence process in heritage tourism. Annals of Tourism Research, 30 (4), 795-812.
Blapp, M. (2015). Creative tourism in Bali’s rural communities. Examination of the current offer and advice on future product development (unplublished master’s thesis). Breda University of Applied Sciences, Netherlands.
Booyens, I., Rogerson, C.M. (2015). Creative tourism in Cape Town: An innovation perspective. Urban Forum, 26(4), 405-424.
Bown, O. (2012). Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature, Humans and Machines. en McCormack, J., d’Inverno, M. (eds) Computers and Creativity. Berlin, Springer. pp. 361-381.
Bruin, A., Jelinčić, D.A. (2016). Toward extending creative tourism: Participatory examination of creative tourists’ motivation, experience, perceived value and revisit intention. International Journal of Culture, Tourism and Hospitality Research, 8(4), 401-419.
Brundtland, G.H. (1987) Common Future. Report of the World Commission on Environment and Development. Nueva York, UN documents.
Cantú-Martínez, P. C., (2018). Desarrollo sustentable: cultura, patrimonio cultural y natural en México. Turismo y Sociedad. 23, pp. 25-40.
Cañada, E. (2021). Community-based Tourism in a Degrowth Perspective. en K. Andriotis (ed.). Issues and Cases of Degrowth in Tourism, Wallingford, CABI, pp.42-63.
Cardoso Jiménez, C., (2006). Turismo Sostenible: una revisión conceptual aplicada. El Periplo Sustentable, (11), 5-21.
Carreño, F., Carrasco, R.J. (2015). Epistemología de la sustentabilidad. México, Universidad Autónoma del Estado de México, Centro de Estudios e Investigación en Desarrollo Sustentable.
Castells, M. (1999). La era de la información: economía, sociedad y cultura. Madrid, Alianza.
Chang, L.L., Backman, K.F. & Huang, Y.C. (2014). Creative tourism: a preliminary examination of creative tourists’ motivation, experience, perceived value and revisit intention. International Journal of Culture, Tourism and Hospitality Research, 8(4), 401-419.
Cole, S.T., Chancellor, H.C. (2009). Examining the festival attributes that impact visitor experience, satisfaction and revisit intention. Journal of Vacation Marketing, 15 (4), 323-333
Crozet, C. (2017) Globalization and Culture. en Ali Farazmand (ed) Global Encyclopedia of Public Administration, Public Policy, and Governance. Nueva York, Springer International Publishing, pp. 1-8.
Fernandes, C. & Rachão, S. (2014). Reinventing tourism at a tradicional cultural tourism destination: A case study of Viana do Castelo (Portugal). International Journal of Business and Globalization, 12(3), 281-296.
Florida, R. (2002). The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community, and Everyday Life. San Francisco, Basic Books.
Fortuna, C. (2012). Património, turismo e emoção. Revista Crítica de Ciências Sociais, 97, 23-40.
GFN, https://data.footprintnetwork.org. (consultado 20 de enero de 2024)
Gurry, F. (2009). La crisis económica mundial y las perspectivas económicas. Cumbre Mundial de Institutos de Estudios. OMPI (Organización Mundial de la Propiedad Intelectual).
Henriques, C. H. (2019). Turismo cultural como vetor de sustentabilidade nas cidades. cultural urban tourism and its sustainability. Journal of Tourism and Heritage Research, 2(4), 327-352.
Kekutt, E. (2019). Cultural creative industries: tourism developing the regional economy powering arraigo and autocton culture. Journal of Tourism and Heritage Research, 3(1), 33-43.
Landry, C., Bianchini, F. (1995). The creative city. Londres. Editorial Demos.
Landry, C. (2000). The Creative City: A Toolkit for Urban Innovators. Londres. Earthscan Publications Ltd.
Lee, Y., Lee B., Hossain M.T., (2019). Urban revival by Millennials? Intraurban net migration patterns of young adults, 1980–2010, Journal of Regional Science, 59(3), 538-566.
Leffel, B., Marahrens,H., & Alderson, A.S.(2023). Divergence of the world city system from national economies. Global Networks, 23, 459–477.
Luo, J., Yi Jian, I., H.K. Yung, E., H.W. Chan, E. y Chen, W. (2022). Pursuing social cohesion in cultural tourism destinations: liminality as a mediator. Current Issues in Tourism. 1-17.
Mellander, C., Florida, R. (2021). The Rise of Skills: Human Capital, the Creative Class, and Regional Development. en: Fischer, M.M., Nijkamp, P. (eds) Handbook of Regional Science. Berlin, Springer. pp. 707-719.
Muñoz, F. (2009). Urbanalización. Paisajes Comunes, Lugares Globales. Barcelona, Gustavo Gili.
ONU-Hábitat, Programa de Naciones Unidas para los Asentamientos Humanos (2016). Documento de cultura urbana y patrimonio. Conferencia de las Naciones Unidas sobre la Vivienda y el Desarrollo Urbano Sostenible. Habitat III. Quito.
ONU-Hábitat, Programa de Naciones Unidas para los Asentamientos Humanos (2018). Urbanización en México. Recuperado de: https://unhabitat.org/fr/node/4534
Oosterlynck, S., Beeckmans, L., Bassens, D., Derudder, B., Segaert, B. and Braeckmans, L. (2019). The city as a global political actor, Londres, Oxon Routledge.
Palenčíková, Z., Csapó, J., 2021. Creative tourism as a new tourism product in Slovakia. The theoretical and practical analysis of creative tourism: formation, importance, trends. Slovakia, Constantine the Philosopher University in Nitra, Faculty of Central European Studies. p. 12, 43
Ratz, Tamara. Michalkó, Gábor. (2011). The contribution of tourism to well-being and welfare: the case of Hungary. International Journal of Sustainable Development. 14 ( 3-4), 332-346
Remoaldo, P., Ghanian, M., Alves, J. (2020). Exploring the Experience of Creative Tourism in the Northern Region of Portugal-A Gender Perspective. Sustainability, 12(24), 10408.
Richards, G. (2011). Creativity and the tourism. The state of the art. Annals of Tourism Research, Vol. 38, No 4, p. 1225-1253.
Richards, G. (2014). Creativity and tourism in the city. Current Issues in Tourism, 17(2), 119-144.
Richards, G. & Raymond, C. (2000). Creative tourism. Atlas News, 23 (8), 16-20.
Richards, G. (2001). Cultural attractions and European tourism. Tilburgo, Cabi
Richards, G. & Wilson, J. (2006a). Developing creativity in tourist experiences: A solution to the serial reproduction of culture? Tourism Management, 27(6), 1209-1223.
Richards, G. & Wilson, J. (2006b). Developing creativity in tourist experiences: A solution to the serial reproduction of culture. Tourism Management, 27(6), 1209-1233
Richards, G., 2011. Creativity and the tourism. The state of the art. Annals of Tourism Research, 38(4), 1238
Rist, S., Dahdouh-Guebas, F. (2006). Ethnosciences - A step towards the integration of scientific and indigenous forms of knowledge in the management of natural resources for the future. Environment, Development and Sustainability. 8, 467–493
Saayman, M., Van der Merwe, A. (2014). Factors determining visitors’ memorable wine-tasting experience at wineries. Anatolia: An International Journal of Tourism and Hospitality Research, 26(3), 372-383.
Salmna, D. & Uygur, D. (2010). Creative tourism and emotional labor: An investigatory model of possible interactions. International Journal of Culture, Tourism and Hospitality Research, 4(3), 186-197.
Salvado, J., Ferreira, A. M., Serra, J. & Marujo, N. (2020). The creative and cultural tourism ecosystem: A conceptual model. Dos Algarves: A Multidisciplinary e-Journal, 38, 59-88.
Santagata, Walter. (2010). The Culture Factory: Creativity and the Production of Culture. Heidelberg, Springer Science & Business Media.
Sava, D. (2021). The Creative Tourism-An Interactive Type of Cultural Tourism. Ovidius University Annals, Economic Sciences Series, 21 (2), 486-492.
Šlaus, I., Jacobs, G. (2011). Human Capital and Sustainability. Sustainability. 3, 97-154.
Smriti, D., Ambulkar, S., Meng, O., Kaimal, G. Ramotar, K., Young Park, S., Huh-Yoo, J., (2022) Creative arts therapies for the mental health of emerging adults: A systematic review. The Arts in Psychotherapy, 77 ,101861.
Solórzano, M. (2019). Creative tourism and opportunities for world heritage cities and magical towns in Mexico. Journal of Tourism and Heritage Research. 2(3), 44-64.
Stebbins, R. A. (1992). Amateurs, Professionals and Serious Leissure. Québec. McGill-Queen University Press.
Tresserras, J. (2022). El turismo cultural y creativo hoy. Francia. Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura.
Toledo, V. M. (2002). Ethnoecology: A Conceptual Framework for the Study of Indigenous Knowledge of Nature. En Ethnobiology and biocultural diversity: Proceedings of the 7th International Congress of Ethnobiology, Atenas, Georgia, Estados Unidos, Octubre 2000, (pp. 511-522). International Society of Ethnobiology, c/o University of Georgia Press.
UN Environment (2019). Global Environment Outlook – GEO-6: Healthy Planet, Healthy People. Nairobi, Cambridge University Press.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2006). Towards Sustainable Strategies for Creative Tourism: discussion report of the planning meeting for the 2008 International Conference on Creative Tourism. Estados Unidos de América, UNESCO.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2020). La cultura en crisis: guía de políticas para un sector creativo resiliente. Corea, UNESCO.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura, International Bank for Reconstrucción and Development/ The World Bank (2021). Cities, Culture, Creativity: Leveraging culture and creativity for sustainable urban development and inclusive growth. Estados Unidos de América, Banco Mundial.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2022). World Conference on Cultural Policies. México, UNESCO.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2023). Empowering creativity: implementing the UNESCO 1980 Recommendation Concerning the Status of the Artist. Francia. UNESCO
Whitting, J. & Hannam, K. (2014). Journeys of inspiration: Working artists’ reflections on tourism. Annals of Tourism Research, 39, pp. 65-75.
WTTC. www.wttc.org (consultado el 13 de febrero 2024)
Al-Ababneh, M. (2020). The Concept of Creativity: Definitions and Theories. International Journal of Tourism & Hotel Business Management, 2 (1) 245-249.
Alberts, H. C. & Hazen, H. D. (2010). Maintaining authenticity and integrity at cultural world heritage sites. In Geographical Review, 1(100), 56-73.
Ali, F., Ryu, K. & Hussain, K.v (2016). Influence of experiences on memories, satisfaction and behavioral intentions: A study of creative tourism. Journal of Travel & Tourism Marketing, 33(1), 86-100.
Athanassiou, E. (2012). The mechanical reproduction of cultural heritage: shifting from touristic areas to public spaces. A: Conference of the International Forum on Urbanism. 6th Conference of the International Forum on Urbanism (IFoU): TOURBANISM, Barcelona, 25-27, p. 1-10.
Apostolakis, A. (2003). The convergence process in heritage tourism. Annals of Tourism Research, 30 (4), 795-812.
Blapp, M. (2015). Creative tourism in Bali’s rural communities. Examination of the current offer and advice on future product development (unplublished master’s thesis). Breda University of Applied Sciences, Netherlands.
Booyens, I., Rogerson, C.M. (2015). Creative tourism in Cape Town: An innovation perspective. Urban Forum, 26(4), 405-424.
Bown, O. (2012). Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature, Humans and Machines. en McCormack, J., d’Inverno, M. (eds) Computers and Creativity. Berlin, Springer. pp. 361-381.
Bruin, A., Jelinčić, D.A. (2016). Toward extending creative tourism: Participatory examination of creative tourists’ motivation, experience, perceived value and revisit intention. International Journal of Culture, Tourism and Hospitality Research, 8(4), 401-419.
Brundtland, G.H. (1987) Common Future. Report of the World Commission on Environment and Development. Nueva York, UN documents.
Cantú-Martínez, P. C., (2018). Desarrollo sustentable: cultura, patrimonio cultural y natural en México. Turismo y Sociedad. 23, pp. 25-40.
Cañada, E. (2021). Community-based Tourism in a Degrowth Perspective. en K. Andriotis (ed.). Issues and Cases of Degrowth in Tourism, Wallingford, CABI, pp.42-63.
Cardoso Jiménez, C., (2006). Turismo Sostenible: una revisión conceptual aplicada. El Periplo Sustentable, (11), 5-21.
Carreño, F., Carrasco, R.J. (2015). Epistemología de la sustentabilidad. México, Universidad Autónoma del Estado de México, Centro de Estudios e Investigación en Desarrollo Sustentable.
Castells, M. (1999). La era de la información: economía, sociedad y cultura. Madrid, Alianza.
Chang, L.L., Backman, K.F. & Huang, Y.C. (2014). Creative tourism: a preliminary examination of creative tourists’ motivation, experience, perceived value and revisit intention. International Journal of Culture, Tourism and Hospitality Research, 8(4), 401-419.
Cole, S.T., Chancellor, H.C. (2009). Examining the festival attributes that impact visitor experience, satisfaction and revisit intention. Journal of Vacation Marketing, 15 (4), 323-333
Crozet, C. (2017) Globalization and Culture. en Ali Farazmand (ed) Global Encyclopedia of Public Administration, Public Policy, and Governance. Nueva York, Springer International Publishing, pp. 1-8.
Fernandes, C. & Rachão, S. (2014). Reinventing tourism at a tradicional cultural tourism destination: A case study of Viana do Castelo (Portugal). International Journal of Business and Globalization, 12(3), 281-296.
Florida, R. (2002). The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community, and Everyday Life. San Francisco, Basic Books.
Fortuna, C. (2012). Património, turismo e emoção. Revista Crítica de Ciências Sociais, 97, 23-40.
GFN, https://data.footprintnetwork.org. (consultado 20 de enero de 2024)
Gurry, F. (2009). La crisis económica mundial y las perspectivas económicas. Cumbre Mundial de Institutos de Estudios. OMPI (Organización Mundial de la Propiedad Intelectual).
Henriques, C. H. (2019). Turismo cultural como vetor de sustentabilidade nas cidades. cultural urban tourism and its sustainability. Journal of Tourism and Heritage Research, 2(4), 327-352.
Kekutt, E. (2019). Cultural creative industries: tourism developing the regional economy powering arraigo and autocton culture. Journal of Tourism and Heritage Research, 3(1), 33-43.
Landry, C., Bianchini, F. (1995). The creative city. Londres. Editorial Demos.
Landry, C. (2000). The Creative City: A Toolkit for Urban Innovators. Londres. Earthscan Publications Ltd.
Lee, Y., Lee B., Hossain M.T., (2019). Urban revival by Millennials? Intraurban net migration patterns of young adults, 1980–2010, Journal of Regional Science, 59(3), 538-566.
Leffel, B., Marahrens,H., & Alderson, A.S.(2023). Divergence of the world city system from national economies. Global Networks, 23, 459–477.
Luo, J., Yi Jian, I., H.K. Yung, E., H.W. Chan, E. y Chen, W. (2022). Pursuing social cohesion in cultural tourism destinations: liminality as a mediator. Current Issues in Tourism. 1-17.
Mellander, C., Florida, R. (2021). The Rise of Skills: Human Capital, the Creative Class, and Regional Development. en: Fischer, M.M., Nijkamp, P. (eds) Handbook of Regional Science. Berlin, Springer. pp. 707-719.
Muñoz, F. (2009). Urbanalización. Paisajes Comunes, Lugares Globales. Barcelona, Gustavo Gili.
ONU-Hábitat, Programa de Naciones Unidas para los Asentamientos Humanos (2016). Documento de cultura urbana y patrimonio. Conferencia de las Naciones Unidas sobre la Vivienda y el Desarrollo Urbano Sostenible. Habitat III. Quito.
ONU-Hábitat, Programa de Naciones Unidas para los Asentamientos Humanos (2018). Urbanización en México. Recuperado de: https://unhabitat.org/fr/node/4534
Oosterlynck, S., Beeckmans, L., Bassens, D., Derudder, B., Segaert, B. and Braeckmans, L. (2019). The city as a global political actor, Londres, Oxon Routledge.
Palenčíková, Z., Csapó, J., 2021. Creative tourism as a new tourism product in Slovakia. The theoretical and practical analysis of creative tourism: formation, importance, trends. Slovakia, Constantine the Philosopher University in Nitra, Faculty of Central European Studies. p. 12, 43
Ratz, Tamara. Michalkó, Gábor. (2011). The contribution of tourism to well-being and welfare: the case of Hungary. International Journal of Sustainable Development. 14 ( 3-4), 332-346
Remoaldo, P., Ghanian, M., Alves, J. (2020). Exploring the Experience of Creative Tourism in the Northern Region of Portugal-A Gender Perspective. Sustainability, 12(24), 10408.
Richards, G. (2011). Creativity and the tourism. The state of the art. Annals of Tourism Research, Vol. 38, No 4, p. 1225-1253.
Richards, G. (2014). Creativity and tourism in the city. Current Issues in Tourism, 17(2), 119-144.
Richards, G. & Raymond, C. (2000). Creative tourism. Atlas News, 23 (8), 16-20.
Richards, G. (2001). Cultural attractions and European tourism. Tilburgo, Cabi
Richards, G. & Wilson, J. (2006a). Developing creativity in tourist experiences: A solution to the serial reproduction of culture? Tourism Management, 27(6), 1209-1223.
Richards, G. & Wilson, J. (2006b). Developing creativity in tourist experiences: A solution to the serial reproduction of culture. Tourism Management, 27(6), 1209-1233
Richards, G., 2011. Creativity and the tourism. The state of the art. Annals of Tourism Research, 38(4), 1238
Rist, S., Dahdouh-Guebas, F. (2006). Ethnosciences - A step towards the integration of scientific and indigenous forms of knowledge in the management of natural resources for the future. Environment, Development and Sustainability. 8, 467–493
Saayman, M., Van der Merwe, A. (2014). Factors determining visitors’ memorable wine-tasting experience at wineries. Anatolia: An International Journal of Tourism and Hospitality Research, 26(3), 372-383.
Salmna, D. & Uygur, D. (2010). Creative tourism and emotional labor: An investigatory model of possible interactions. International Journal of Culture, Tourism and Hospitality Research, 4(3), 186-197.
Salvado, J., Ferreira, A. M., Serra, J. & Marujo, N. (2020). The creative and cultural tourism ecosystem: A conceptual model. Dos Algarves: A Multidisciplinary e-Journal, 38, 59-88.
Santagata, Walter. (2010). The Culture Factory: Creativity and the Production of Culture. Heidelberg, Springer Science & Business Media.
Sava, D. (2021). The Creative Tourism-An Interactive Type of Cultural Tourism. Ovidius University Annals, Economic Sciences Series, 21 (2), 486-492.
Šlaus, I., Jacobs, G. (2011). Human Capital and Sustainability. Sustainability. 3, 97-154.
Smriti, D., Ambulkar, S., Meng, O., Kaimal, G. Ramotar, K., Young Park, S., Huh-Yoo, J., (2022) Creative arts therapies for the mental health of emerging adults: A systematic review. The Arts in Psychotherapy, 77 ,101861.
Solórzano, M. (2019). Creative tourism and opportunities for world heritage cities and magical towns in Mexico. Journal of Tourism and Heritage Research. 2(3), 44-64.
Stebbins, R. A. (1992). Amateurs, Professionals and Serious Leissure. Québec. McGill-Queen University Press.
Tresserras, J. (2022). El turismo cultural y creativo hoy. Francia. Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura.
Toledo, V. M. (2002). Ethnoecology: A Conceptual Framework for the Study of Indigenous Knowledge of Nature. En Ethnobiology and biocultural diversity: Proceedings of the 7th International Congress of Ethnobiology, Atenas, Georgia, Estados Unidos, Octubre 2000, (pp. 511-522). International Society of Ethnobiology, c/o University of Georgia Press.
UN Environment (2019). Global Environment Outlook – GEO-6: Healthy Planet, Healthy People. Nairobi, Cambridge University Press.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2006). Towards Sustainable Strategies for Creative Tourism: discussion report of the planning meeting for the 2008 International Conference on Creative Tourism. Estados Unidos de América, UNESCO.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2020). La cultura en crisis: guía de políticas para un sector creativo resiliente. Corea, UNESCO.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura, International Bank for Reconstrucción and Development/ The World Bank (2021). Cities, Culture, Creativity: Leveraging culture and creativity for sustainable urban development and inclusive growth. Estados Unidos de América, Banco Mundial.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2022). World Conference on Cultural Policies. México, UNESCO.
UNESCO, Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (2023). Empowering creativity: implementing the UNESCO 1980 Recommendation Concerning the Status of the Artist. Francia. UNESCO
Whitting, J. & Hannam, K. (2014). Journeys of inspiration: Working artists’ reflections on tourism. Annals of Tourism Research, 39, pp. 65-75.
WTTC. www.wttc.org (consultado el 13 de febrero 2024)
Publicado
2024-03-27
Cómo citar
Vázquez-Alemán, A. E., Campos Cámara, B., & Frausto Martínez, Óscar. (2024, marzo 27). Sustainable cultural experiences: creative tourism practices in the Mexican Creative Cities by UNESCO. Journal of Tourism and Heritage Research, 7(2), 130-148. Recuperado a partir de http://www.jthr.es/index.php/journal/article/view/564
Sección
Artículos
Esta obra está bajo licencia internacional Creative Commons Reconocimiento 4.0.
Las obras que se publican en esta revista están sujetas a los siguientes términos:
1. Asociación de Investigaciones de Turismo (la editorial) conserva los derechos patrimoniales (copyright) de las obras publicadas, y favorece y permite la reutilización de las mismas bajo la licencia de uso indicada en el punto 2.
© Investur, 2017
2. Las obras se publican en la edición electrónica de la revista bajo una licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 España (texto legal). Se pueden copiar, usar, difundir, transmitir y exponer públicamente, siempre que: i) se cite la autoría y la fuente original de su publicación (revista, editorial y URL de la obra); ii) no se usen para fines comerciales; iii) se mencione la existencia y especificaciones de esta licencia de uso.
3. Condiciones de auto-archivo. Se permite y se anima a los autores a difundir electrónicamente las versiones pre-print (versión antes de ser evaluada) y/o post-print (versión evaluada y aceptada para su publicación) de sus obras antes de su publicación, ya que favorece su circulación y difusión más temprana y con ello un posible aumento en su citación y alcance entre la comunidad académica.
